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also known as Vitthala and Panduranga, is a Hindu god, worshipped predominantly in the Indian states of Maharashtra, Karnataka, Goa, Andhra Pradesh and Tamil Nadu. He is a manifestation of the god Vishnu or his avatar (incarnation) Krishna. Vithoba is often depicted as a dark young boy, standing arms-akimbo on a brick,sometimes accompanied by his main consort Rakhumai (Rukmini).
Dimension: 6 inches (H) X 4 inches (W)
Weight: 720 gms
Vithoba also known as Vitthala and Panduranga, is a Hindu god, worshipped predominantly in the Indian states of Maharashtra, Karnataka, Goa, Andhra Pradesh and Tamil Nadu. He is a manifestation of the god Vishnu or his avatar (incarnation) Krishna. Vithoba is often depicted as a dark young boy, standing arms-akimbo on a brick,sometimes accompanied by his main consort Rakhumai (Rukmini).
As per the legends: Pundalik, a Brahmin madly in love with his wife, neglected his aged parents as a result. Later, on meeting sage Kukkuta, Pundalik underwent a transformation and devoted his life to the service of his aged parents. Meanwhile, Radha, the milkmaid-lover of Krishna, came to Dwarka, the kingdom of Krishna, and sat on his lap.Radha did not honour Rukmini, the chief queen of Krishna, nor did Krishna hold Radha accountable for the offence. Offended, Rukmini left Krishna and went to the forest of Dandivana near Pandharpur. Saddened by Rukmini's departure,Krishna searched for his queen and finally found her resting in Dandivana, near Pundalik's house. After some coaxing, Rukmini was pacified.Then Krishna visited Pundalik and found him serving his parents. Pundalik threw a brick outside for Krishna to rest on. Krishna stood on the brick and waited for Pundalik.After completing his services, Pundalik asked that his Lord, in Vithoba form, remain on the brick with Rukmini, in Rakhumai form,and bless His devotees forever.
Design: Made in heavy brass.
Brass is well known for its grasping capacity.It grasps the divine spirit upto 30%, when compared to other metals.The spiritual vibrations are attracted towards these shining idols easily.
Dimension: 6 inches (H) X 4 inches (W)
Weight: 720 gms
Importance of Idol worship: Idols are not the idle fancies of sculptors, but shining channels through which the heart of the devotee is attracted to and flows towards God. Though the image is worshipped, the devotee feels the presence of the Lord in it and pours out his devotion unto it. Regular worship, Puja and other modes of demonstrating our inner feeling of recognition of Divinity in the idol unveils the Divinity latent in it. This is truly a wonder and a miracle. The picture comes to life. The idol speaks. It will answer your questions and solve your problems. The God in you has the power to awaken the latent Divinity in the idol. The lives of Mirabai, Sant Tukaram, Shri Ramakrishna Paramhansa and Shri Yogananda are a few instances to prove the point. They proved beyond doubt that idol worship has its own brighter side and through simple faith and intense devotion one can realize God through it.
Vitthala, also known as Vithoba and Panduranga, is a revered Hindu deity predominantly worshipped in the Indian states of Maharashtra, Karnataka, Goa, Andhra Pradesh, and Tamil Nadu. Seen as a manifestation of the god Vishnu or his revered avatar Krishna, Vithoba embodies devotion, love, and divine grace. Frequently portrayed as a dark young boy, standing with arms akimbo on a brick, Vithoba's image often includes his consort Rakhumai (Rukmini). This description delves into the various aspects, design, and significance of the Hindu God Vittal/Vithoba Rakhmai idol made of brass.
Vithoba's significance in Hindu mythology is profound and multi-faceted. According to legend, the story begins with Pundalik, a Brahmin who had been so engrossed in his affectionate relationship with his wife that he neglected his elderly parents. However, after encountering the sage Kukkuta, Pundalik experienced a transformation and dedicated his life to his parents' service. Concurrently, Radha, Krishna's milkmaid lover, visited Krishna's kingdom, Dwarka, where she did not honor Rukmini, Krishna's chief queen. Rukmini, feeling disrespected, departed to the forest of Dandivana near Pandharpur.
In his search for Rukmini, Krishna came across Pundalik's house in the forest. Pundalik, busy serving his parents, offered Krishna a brick to rest on. Krishna, standing on the brick, waited patiently for Pundalik to complete his duties. After attending to his parents, Pundalik requested that Krishna, in his Vithoba form, remain on the brick alongside Rukmini, in her Rakhumai form, blessing devotees forever.
The Vithoba-Rakhmai idol is meticulously crafted from heavy brass, using techniques that capture the spiritual essence and traditional artistry associated with Vithoba worship. The brass construction is significant for its high grasping capacity, attracting and retaining spiritual vibrations more effectively than other metals. This grasping ability lends the idol a higher spiritual potency, making it an ideal centerpiece for devotional practices, religious ceremonies, and personal altars.
Dimensions: - Height: 6 inches (15.24 cm) - Width: 4 inches (10.16 cm)
Weight: - 720 grams (1.58 pounds)
The idol's artistic intricacies are profound. Vithoba is shown standing with his hands on his hips, a posture symbolizing his readiness to heed his devotees' prayers. This stance on the brick is emblematic, harking back to the legend of Pundalik's devotion. The depiction might include etchings of symbolic elements such as the mark of Vishnu on Vithoba’s chest and ornaments that signify divine attributes. The idol's expression radiates calmness and compassion, inviting devotees to engage in a deeper spiritual connection.
Rakhumai or Rukmini, as Vithoba's consort, stands gracefully beside him, embodying devotion and loyalty. Her form is typically portrayed with gentle features that complement Vithoba's youthful image. The artisans have ensured that the idol illustrates the unity and harmony between the divine couple, capturing a serene and blessed ambiance.
Idol worship is a core aspect of many Hindu practices. Contrary to the misconception that idols are mere objects, they are considered conduits through which divine energy flows. By worshipping idols, devotees are thought to access and invoke the presence of the divine. Such practices are supported by historical anecdotes and spiritual experiences shared by notable saints like Mirabai, Sant Tukaram, Shri Ramakrishna Paramhansa, and Shri Yogananda, who have testified to the miraculous power of idol worship in realizing God.
Regular worship, which includes rituals such as puja, abhishekam (ritual bathing), and chanting, plays a crucial role in idol worship. These practices are believed to awaken the dormant divinity within the idols. Devotees pour their devotion into their worship, and this intense faith and regular devotion can lead to profound spiritual experiences, turning the idol into a living embodiment of divine energy.
The symbolic aspects of the Vithoba-Rakhmai idol are numerous:
The
